The pain she channeled into the love-lorn music and vocals on “One Step Ahead” inspired Ayatollah to craft several renditions of the “Ms. Fat Booty” beat before deciding on the best version. As was the case in other Franklin-sampled 90s cuts like Onyx’s “Last Dayz” and Mobb Deep’s “Drop a Gem On ‘Em,” her voice makes the “Ms. Fat Booty” beat unforgettable. Her singing provides the perfect vocal elements for the hook and is also prominent throughout every other section of the song.
Around the time Ayatollah finalized the instrumental, he started developing a relationship with Rawkus records. The label’s A & Rs avoided listening to his beat tapes at first because of their busy schedules, but they changed their tune when he continued to show up at their offices on a regular basis with music to share.
One fateful day, Ayatollah arrived with a beat tape containing “Ms. Fat Booty” and earned himself a seat in the Rawkus conference room. Mos Def was so impressed by the work on this tape that he purchased the instrumentals for “Ms. Fat Booty” and “Know That” from Black on Both Sides, as well as six other productions that have yet to see the light of day. “I don’t know what he did with them, but if you thought those two were some great records, you have to hear the other six,” he told Nodfactor. “The other six were amazing, like really amazing.”
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